Titles ordering in Thrillers

The order of titles in the opening of Thrillers

The openings of films contain titles. These titles introduce the main contributors that allowed the film to be made like the director, producer and key actors. Thrillers often do not deviate from other films and also contain titles. Often these credits are placed over moving images that often relate to the film but are not important enough to be shown just on their own.Titles in the opening of Thrills may also credit the book that they are based on and the author that wrote the book.

An example of titles in the opening of a Thriller is 1999's 'Fight Club' where the opening titles are shown over a path of the protagonist's 'fear center'. These images move through various cerebral micro-landscapes and exit a skin pore with credits on each different shot. Then these titles conclude with a Smith & Wesson 4506 pointed into the protagonist's mouth which links to the fear center images.

Another opening is the opening to 1995's Seven where the opening titles are shown over the antagonist's crafty and meticulous hands as he writes in his diary, crafts different things together with scissors and clips and as he cuts off the end of his fingers to get rid of his fingerprints. 

Story/plot in Thrillers

The story/plot in Thrillers

These are often murder or criminal story lines that involve the uncovering of a crime or a mystery. Often, more complex plots are used to mislead the audience with clues and pieces of evidence that do not always make immediate sense. This builds suspense for the audience as they are filled with uncertainty and confusion about some of the plot and feel that they need to concentrate more. Then, shocking plot twists are used as a way of keeping the audience engaged and often occurs nearer the end of the film. This keeps the audience in even more suspense as they are unsure about what is going to happen next. The plot also often involves a lot of action and fast paced chaos as a means of disorienting the audience and keeping them in this spiral of confusion about what developments will happen in the story.


Thrillers also contain a lot of movies about identity such as having characters who find out that their real identity is that of one that they were unaware of at the start of the film. This can be seen in movies like 1999's Fight Club where the Narrator finds out that he is in fact Tyler Durden and created this alter ego to experience a more fulfilling lifestyle that is filled with chaotic behaviour.

Another example of this is in Shutter island where Edward Daniels finds out that he is actually Andrew Laeddis. He is told that he is the hospital's most dangerous patient and Dr. John Cawley proves this by showing how his name is an anagram of the man who killed his wife which he created to hide from the truth that he is responsible for her death.. 


Other storylines include the revelation of events where the character finds out a major fact that alters the plot. This can be seen in movies like 1999's Sixth Sense where Dr. Malcolm Crowe finds out that he has been dead throughout most of the film and was killed near the beginning of the film by Vincent Grey (one of his former patients).



Thrillers may also be in the form of superhero movies that contain Thriller elements. This is shown in the Dark Knight with some aspects of the film such as when James Gordon and Batman are racing to save Harvey Dent and Rachel Dawes. Another example is the chase scene between the Joker and the police where the Joker is going after Harvey Dent after he falsely admits that he is the Batman and the way that Batman involves himself in the chase to save Harvey Dent from the Joker.

Thriller movie specific narrative structures: Gone Girl

Thriller movie specific narrative structures: Gone Girl

The narrative structure of 2014's Gone Girl follows standard structure in its beginning with logical ordering of events and flashbacks to support what the narrator (Nick Dunne) is saying. However, this changes quite rapidly as it has a twist about a third of the way through that Amy Elliott-Dunne is actually alive and well after the start of the film pointing towards the conclusion that Amy was brutally killed and that the detectives and police should be looking for her body. This twist is revealed very early on and this breaks the norm of the twist in films as they often come at the ending.

Another element of this twist that breaks the norm is that Nick is completely unaware that his wife is alive and instead still believes that she is dead. This is abnormal as the twist in Thrillers often affects the main character in a direct manner and is often related closely to them as well as being based on their actions. After this, the movie starts to focus quite strongly on Amy and the abusive life that she created as a means to frame her husband for her murder. This element of the film breaks this genre from just a Thriller into the sub genre of psychological thriller as it follows the mind of a person suffering severe mental problems in detail with the audience aware of her broken mindset that is filled with evil preparation to frame her husband.

The film also has many moments of overlap to show the same event from the different perspectives of two different characters and keeps the audience in time with time stamps on screen that tell them how long Amy has been missing for.

This unique narrative structure has quite a shocking impact on the audience as they are unsuspecting of the different changes in the plot that are abnormal and out of place in comparison to other Thrillers. The director (David Fincher) is famous for Thrillers and so knew that the audience would be expecting him to keep to his standard narrative format. This changed acted as a 'trick' to add a unique feeling to Gone Girl that could be easily identified as a film where Fincher choose to change the norm and take on a new structure in one of his films.

Questions posed/narrative in Thrillers

The different types of questions posed about the narrative in Thrillers

In the opening of The Dark Knight, the first shot is that of a zooming shot on a building. This immediately makes the audience wonder of the importance of this building and why the camera is zooming in on it instead of using a wide angle to create an establishing shot. Then after the window is broken, the audience then ask why that is happening, what the intentions behind breaking the window is and the identity or type of person (e.g. criminal, civilian, police officer) who has broken the window.

Another question in the opening is when the shot of the back of a man on a street corner is shown and the camera is zooming in on them. The audience first of all want to know the identity of the person standing there, why they are standing there, what is in their bag, why they need a mask and what they are about to do.




In the opening of Lord of War, the first shot is a rising shot from the ground (filled with casings) upwards (to a man standing with his back towards the camera. This makes the audience question who the man is, what he is doing dressed as a businessman in a warzone, where exactly is the war setting and other context to the war setting like why the fighting is occurring.

After the audience see the creation and transportation of a bullet for a Kalashnikov, they question where it is going and who will use this bullet. The question about the fighting is asked again (as it links to the start of the opening) as the audience want to know why this fighting is occurring. The audience also question the importance of the bullet in this story and what role they play in Nicolas Cage's profession or interests.

Settings in Thrillers

Settings in Thrillers

The settings of Thrillers greatly changes between each movie. This is greatly dependent on the plot and the characters involved in that plot.

For example, in 2010's Shutter Island, the setting is that of a mental institute on a remote island where the criminally insane live and are cared for. As Edward Daniels turns out to actually be a patient there, the movie is highly centered around that setting of the island and never leaves it as that character is bound to it.

In 'detective' or crime Thrillers, the settings are often busy are highly populated areas like cities. This is evident in films like 1995's 'Seven' where the setting is that of an unnamed city. Another example of this setting in a crime Thriller is 1994's 'Léon: The Professional' who's setting is in New York City in the Little Italy neighborhood.

However, not all crime Thrillers are set in city type settings. An example of a movie that breaks this trend is 2007's 'No Country for Old Men' who's setting is in the vicinity of the New-Mexico border and in more deserted desert areas with few homes and few people living in those areas. This film is set in the 1980s and the fact that it is based on a book which may be the reasons for this more obscure setting whereas more recently set crime Thrillers are set in cities. 

The 1999 movie Sixth Sense has quite an outer and inner urban setting where Dr. Malcolm Crowe moves between inner city home settings to outer city church settings to speak with Cole Sear and help him. This is vastly different from Shutter Island's setting as the main character's profession and mental situation affects where they live and spend most of their time. This then changes where most of the film is set as it follows the main character to allow the plot develop and to reveal new twists to the audience.

The sporadic and constantly changing nature of settings in Thrillers makes it difficult to identify the genre of Thriller based on setting alone. However, most settings have a dark tone to them with hidden meanings similar to a setting like a church or a haunted house that have hidden elements like a person hiding. This use of settings is also quite similar to horror films that have many hidden parts in them. As said above, it should also be remembered that films set on books often have their settings already decided for them and the director is forced to film at this setting otherwise the plot could suffer from not making sense. Thrillers that are set on books include: Fight Club, The Shining, The Silence of the Lambs, The Talented Mr. Ripley and Minority Report. Most of these films have in some way altered their setting to better match the setting in the book and so are not always able to keep to the general trend of settings in Thrillers.

Famous Directors and history of Thrillers

The history of Thrillers

Using http://www.teach-nology.com/web_tools/materials/timeline/ I have created a timeline showing the release of Thriller films over the years.

This timeline is also a good example of the history of Thrillers.

http://www.tiki-toki.com/timeline/entry/69797/History-of-the-Thriller-genre/#vars!date=1927-10-13_04:27:11!

The first ever Thriller is argued by many as 1927's The Lodger: A Story of the London Fog. This film was directed by Alfred Hitchcock and was his second film that he received a directors credit after 1925's "The Pleasure Garden".

Throughout the years, Thriller has developed and changed in many ways. A most notable Thriller is 1960's Psycho (regarded as one of Alfred Hitchcock's best films). Throughout the years, the Thriller genre was also graced with films like 1976's Taxi Driver that increased the violence in Thrillers.

By the 1990s, Thrillers saw a massive increase in quantity and quality as the "twist" became a massive staple in Thrillers (even though it was popular in the 1960s with films like Psycho). These twists presented themselves in films like 1991's The Silence Of the Lambs, 1995's Seven, 1999's Fight Club and The Sixth Sense (of the same year).

By the 2000s and 2010s, the "twist" was further developed upon in 2000's Memento, 2006's Children of Men, 2007's No Country For Old Men, 2008's The Dark Knight and 2010's Shutter Island.




Famous directors of Thrillers include Alfred Hitchcock (North By Northwest 1959, Psycho 1960), Martin Scorsese (Taxi Driver, 1976, Shutter Island, 2010), Christopher Nolan (Memento 2000, The Dark Knight 2008 ), Quentin Tarantino (Reservoir Dogs 1992, Pulp Fiction 1994), David Fincher (Seven 1995, Fight Club 1999, Gone Girl 2014), M. Night Shyamalan (The Sixth Sense 1999, Unbreakable 2000), Alfonso Cuarón (Children of Men 2006, Gravity 2013)

Characters and costumes in Thrillers

The different types of characters in Thrillers and the different types of costumes that each type of character will wear

The following 6 costumes worn by different characters separate them as unique to one another. These differences can be: profession, social class, behaviour, importance, intelligence and back story.

The Detective

This character will often be the protagonist of the film. They will often be out trying to stop the criminal or psycho and work with police officers to solve the crime even though they are often above police officers in terms of rank. Detectives will often dress in white shirts and ties and will also wear suspenders instead of a belt on their pants (which are often black and not very colorful). Their ties are also not overly colorful as they try to fit into their office and street work life that changes between sitting at a desk to then inspecting a crime scene.

The Psycho

This character will often be the antagonist of the film. They will often be a mass murderer who is going on a killing rampage with the intent of causing chaos. Psychos will often dress in standard, non-suspicious clothes and will try their best to blend in with the crowd. They will do this until they wish to emphasise something like wearing a white shirt to better show the blood splatters on that shirt.

Anton Chigurh in 2007's No Country For Old Men

John Doe in 1995's Seven

The Criminal

This character may also be the antagonist of the film. They will often be part of a robbery or single crime where they steal something or hurt someone for financial benefit. They will often dress with ski masks on and tight, dark clothing to allow themselves to move quickly, stay hidden and not get caught on anything with loose clothing when committing crimes like bank robberies.

Raoul in 2002's Panic Room

Neil McCauley in 1995's Heat

The Character with multiple personality disorder

This character is often the lead of the film and the main character in the story where most events occur around them. They often dress in suits where they are unaware of their other personality which is chaotic and often the complete opposite of their current personality. After they become aware of this other personality, they may change their clothing like in Shutter Island where Daniels believes that he is a Federal Marshall (where he wears a suit) and then changes to patient clothes and then learns that he is in fact a patient at the island.

Edward Daniels in 2010's Shutter Island

Edward Daniels' change to patient clothing.

Leonard in 2000's Memento 

The Narrator in 1999's Fight Club

The Police Officer

This character will often be the protagonist of the film or an important side character. They will often be highly devoted to their job and all wear their uniform with pride. They will often dress in blue or black shirts and pants, carry standard police kit (handgun, mace, handcuffs, radio etc) and wear a police badge on their uniform. This uniform acts as a symbol of safety for civilians and as the acting force against crime.

John Blake in 2012's The Dark Knight Rises

Brian Gamble (left) and Jim Street (right) in 2003's S.W.A.T

The love interest of a character with multiple personality disorder

This character will often be the side character and is often the one to reveal or help reveal the twist in the story about the main character's change in personality. They will often dress in very dark clothing that is often black which symbolises the dark side to their character as well as their potentially violent  or less social behaviour towards the main character.

Natalie in 2000's Memento

Marla Singer in 1999's Fight Club

Mise-en-Scène in Thrillers

Specific props used for Mise-en-Scène in Thrillers

This contains many important elements which help distinguish the genre of Thriller from other genres. This helps to create and keep the emotions of the film such as suspense by showing these elements multiple times or in different ways like different types of weapons used by a character.

Props, such as the use of sharp objects (like knives, machetes and swords) and weapons (bats, crowbars and firearms) show the audience the intentions of the character and the brutality of the action. For example, a gun is a quick weapon that can kill a person immediately. A knife however, is much slower at killing a person and may represent a character as being more sadistic. An example of a character who shares this ideology is the Joker in the Dark Knight as he claims that he uses a knife because "Do you want to know why I use a knife? Guns are too quick. You can’t savor all the… little emotions. In… you see, in their last moments, people show you who they really are. So in a way, I know your friends better than you ever did. Would you like to know which of them were cowards?". This makes a character seem more violent and taking pleasure in killing people in horrific ways when the audience see them with a knife when the audience are aware of what motivates a character to use that weapon.

Other prop weapons may be used like in 2007's 'No Country fol Old Men' where Anton Chigurh uses a captive bolt pistol to kill people. This signature prop weapon is unique as it is not a standard firearm and requires a more personal and compassionate approach when killing someone. This requirement for Anton to get closer to his victims and place the weapon directly on their heads to let the weapon kill them whilst he smiles doing so shows a psychopathic nature in his actions. This is because he takes joy in working harder to kill a person and seeing the confusion in their faces moments before their deaths. This sort of sadistic behaviour is highly similar to the Joker's actions in 2008's The Dark Knight and is used by many directors as a means of fully asserting an antagonist.

Other more generic props used in Thrillers like 1995's 'Seven' where the detectives Mills and Somerset both use flashlights (often at crime scenes) which adds to the feeling of unsureness as the beam of light can only go in one direction and cannot fill the whole room to reveal if any evil characters who may harm the detectives are hiding. This combination of using light and a prop together to create an effect of fear in the audience.

Another prop used in the movie Seven and other Thrillers (like Shutter Island) is the use of badges for detectives or federal marshals). This adds authority to a character and makes other characters respect them and follow their orders. These badges can also be the topic for dialogue in films like Shutter Island. A n example of this is when Deputy Warden McPherson says " I've never seen a marshal's badge before." at 00:04:30 into the film.

Representation of characters in Thrillers

The representation of characters in Thrillers considering costume, action and dialogue

Characters in Thrillers can vary. Usually there is a psycho, killer or a ‘villain’ in the film when it is the genre of psychological Thriller to act as the antagonist. In a crime Thriller there could be a detective or police officer who is trying to uncover the crime that has been committed or to stop the ‘villain’ from committing more crimes. Often, movies will have a combination of characters like a detective and a killer like in the neo- noir crime Psychological Thriller 'Seven'.

Most Thrillers incorporate the Psychological aspect of the genre of Thriller. In these movies, the audience are forced to examine the actions, behaviours and motives of the characters in order to distinguish their back story as a way of figuring out the plot.
Costumes often include suits, police and detective uniforms. Often, antagonists and protagonists wear similar clothes like the killer wearing a white shirt just like the detective is( just like the ones shown above). This will almost always have a very distinct difference however. This difference may be in the way they are worn or added features like blood on a killers shirt to indicate that they have committed a murder and a tie on a detective to show the inclusion of office wrk in their life.

In this opening of the Dark Knight, the antagonist (Joker) can be seen from behind, his identity is hidden from the audience as he is facing away from the camera with his back to it. His hidden face indicates that he is trying to keep his identity from the surrounding people in the streets as well because he is about to commit an audacious action like a crime. His slightly lowered head also shows the audience that he is keeping to himself and hiding his identity. The Joker is standing very still which shows  his self control and power in his actions as he stands in a way that makes it look as if he owns the street and the area he is standing on instead of just being a product of the environment.

The Joker's mask, dark clothing and duffel bag indicate his intentions of robbing a bank as he wants to stay hidden and be able to collect money in his bag and hold items like weapons in them. This is inferred for the audience instead of being directly shown, but can be inferred due to the combination of his clothing on as well a the bag.

The Joker's lack of dialogue also shows a want to remain self contained, hidden and not wanting to draw attention to himself. If he had been speaking loudly on the phone for instance, it would infer that he is much more open and happy about people around him being able to hear him.

This same technique is used in The Woman in Black where only her veil and darkened side of her left face can be seen to the right of the screen. This makes it obvious to the audience that she just made the children commit suicide as she is watching they do it without stopping them. Her hidden face and dark clothing as well as lack of dialogue from her indicates that she is hiding her identity and is so powerful that she should not be directly looked upon. This creates fear in the audience as they begin to not want to establish natural communication features with her like looking in her face which makes her seem very ominous and evil.

In the opening of Shutter Island,  these guards can be seen facing the camera holding rifles and watching and staring intently. They are wearing guard uniform that are well kept and worn neatly which infers that they are extremely organised and prepared for anything like an attack with a coordinated response that is very effective. This makes the audience look up to the guards as those who should be highly respected but also feared at the same time. The angled position of their guns and mere presence of their guns makes them seem very powerful as they have the ability to carry the heavy weight of the gun at these angles and rest them against their bodies in these ways. The fact that they are not pointed at the camera but have serious faces and are frowning presents them as neutral as they will not attack but will not be friendly. Their lack of dialogue leaves ambiguity of their intentions but their actions and facial expressions give indications as to what they plan to do. 

Lighting in Thrillers

Lighting in Thrillers

In Thrillers, low key lighting is often used to create and show the eerie mood of the music and story. The low key lighting also highlights the shadows and detail of the scene in extreme close up shots. A combination of high and low key lighting can also emphasise detail. 

An example of lighting in Thrillers is this close up shot of fingers in the opening of the 1995 movie Seven has a contrast of light where the forefront of the shot is extremely dark and the background is gloomy. The tips of the fingers themselves are highlighted by a bright light from above. Dark lighting helps to give the film a gloomy mood and help to make the audience feel more suspense towards the film when they see this gloomy light contrast with the brighter fingers with makes them stand out and seem out of place.

Another example of lighting in Thrillers is at the end of Fight Club (1999) where the Narrator and Marla are standing by each other and looking outside of the window. This image makes good use of lighting as there is a contrast of colors with the blue tinge of the natural, night sky and the black silhouettes of the Narrator and Marla. There is also the bright lights produced by the explosives that cause the buildings to collapse.

Lighting is also used effectively in the opening of Sixth Sense in the first shot of film after the titles. This shot is of a light bulb and sets an ominous feeling that evil is surrounding this bulb. The surrounding darkness indicates a call out for an evil character or antagonist to appear and to infiltrate the life of the protagonist. The bulb itself and the light it produces shows the audience that the evil has not fully taken over and that Dr. Malcolm Crowe is still present but has not got rid of the evil that the darkness brings. This happens as Vincent Grey shows up and shoots and kills Dr. Malcolm Crowe in cold blood before killing himself. This single shot uses lighting so effectively that it shows what will happen in the opening of the film through metaphoric imagery.

Survey for Thriller

Survey for Thriller

In preparation for my movie opening, I have created a survey at SurveyMonkey. The first questions I ask are for collecting information such as age and gender about the person who is answering. This can help show me which opinions are general for a demographic such as a certain age group. Then I asked question about preferred genre to gauge which genres people most like and then specifically about Thrillers to find out where to focus most of my attention in developing for my movie opening.
https://www.surveymonkey.com/r/TJG9ZPL

 This graph shows me that most of the people surveyed are between 0-20 years of age which could likely show me that most answers will favour more current and relevant films as that is what they are more likely to be aware of and like. I would expect longer viewing times and more recently developed genres like Thrillers to be the most popular as they have become most popular since the 1990s. There are also a substantial amount of people aged between 21-40 where the similar preferences may also be prominent.

This graph shows me that most of the people surveyed are male. From this information, I would expect more more action and violent genres like Horror and Thriller to be quite popular. However, there are also quite a few women as well but not as many so I would still expect a few movies like romance and comedies to be popular. Obviously, that is looking at the data in a sexist way and I do understand that woman may prefer violent actions movies just as much as men prefer romance movies but I was just looking at the data considering stereotypical gender traits before.

This graph shows me that most people surveyed are students which ties in with the age groups as most people were aged between 0-20 and so were more likely to be students.








This graph shows me that the two main genres that people prefer are Action and Thriller with Adventure and Horror coming in equal tied third most popular genre. This is highly beneficial for my film opening as I have chosen to for it to be the genre of Thriller and that is highly popular so I know that there is demand for that as a lot  of people prefer it as it is their favourite genre. My movie opening has many action elements as well which is also beneficial as that genre is also greatly popular among the people surveyed.

This graph shows me that most people spend over 2 to 3 hours a week watching films. Because I know that Thrillers are very popular, I can assume that a lot of the films that people are watching every week are of the genre of Thriller or are genres closely associated with that like Action and Horror films. This means that people are more likely to understand the messages created in my movie opening and enjoy it more as most people regularly watch these types of films.

This graph shows me that the most important element of a film is the story and events that happen in the plot. This is followed by characters then being the second most important element. This shows me that I should focus my opening on showing the development of the character and how his actions affect the story of the opening. I have only got focus on dialogue in the very start of the opening and not the rest of the opening. Dialogue is still important yet not the main element that I should focus on in this opening. The action and violence is also present in this opening but I am using it to link to the character instead of being just a separate element that has no effect on the characters or plot.

This graph shows me that most of the people surveyed felt that the main thing that they wanted from a film opening is to be intrigued. This requires some ambiguity and required inference from the audience which is something that I will ensure is implemented into my opening and that the current ideas that include ambiguity and better improved upon. This should entertain the audience in a way by them having to think harder during the opening which may imporve the viewing experience for most of the audience and make them enjoy it more. As people had already said that they feel that the story and characters are highly important, I think that I can be assured that they remain important even though they are not the main thing the audience expect to learn more about from a film opening but still see them as essential in general terms. Also, intrigue can also include learning more about characters and the story which may be why the option about being intrigued is most popular in this question.




This graph shows me that people do enjoy watching Thrillers very much which supports the results from question 4.








This graph shows me that most of the people surveyed recommended that the song that I gave the link to (https://www.youtube.com/watch?v=AmoPrwIgoy8) should be included in the opening to a Thriller. This shows me that I should use that song in my opening as most of the people surveyed likely watch a lot of Thrillers and the music in those Thrillers and so know what to recommend.